The British Novelists
March 12, 2022 4:45 PM   Subscribe

Anna Laetitia Barbauld, "On the Origin and Progress of Novel-Writing": "A Collection of Novels has a better chance of giving pleasure than of commanding respect ... It might not perhaps be difficult to show that this species of composition is entitled to a higher rank ... A good novel is an epic in prose ..." Barbauld's essay gives a brief history of the novel--a starting point for readers of her 50 volume / 28 novel collection The British Novelists, published in 1810.

Some texts named in the essay (*a few untranslated): Novels included in the collection with links to Barbauld's introductions to each author and also to more recent discussions of their work:
  1. Samuel Richardson, Clarissa (2, 3, 4, 5, 6, 7, 8). Discussion: Julie Park, "Writing with Pen and Dildo: Libertine Techniques of Eighteenth-Century Narrative."
  2. Samuel Richardson, The History of Charles Grandison (2, 3, 4, 5, 6, 7). Discussion: Bonnie Latimer, "Popular Fiction after Richardson" [PDF].
  3. Daniel Defoe, Robinson Crusoe (2). Discussion: Lucinda Cole, "Crusoe's Animals, Annotated: Cats, Dogs, and Disease in the Naval Chronicle Edition of Robinson Crusoe, 1815" [PDF].
  4. Henry Fielding, Joseph Andrews. Discussion: Dita Hochmanová, "The Problem of Ridicule in Henry Fielding's Joseph Andrews" [PDF].
  5. Henry Fielding, Tom Jones (2, 3). Discussion: Melissa Bloom Bissonette, "'A Right Judgment': Rape Trial Conventions Revisited in Joseph Andrews and Tom Jones" [PDF].
  6. Clara Reeve, The Old English Baron. Related: Clara Reeve wrote her own innovative history of prose fiction The Progress of Romance (2), which included a list of recommended reading for children and young adults and also a novella inspired by some translation of Murtaḍā ibn al-ʻAfīf's Egyptian History
  7. Horace Walpole, The Castle of Otranto. Discussion: Elizabeth Jean Mathews, "Chapter 4 -- Jeers for Fears: Camp and Ambiguity in The Castle of Otranto" [PDF].
  8. Francis Coventry, The History of Pompey the Little; or, The Life and Adventures of a Lap-Dog. Discussion: Angelika Zirker, "Dogs and Horses as Heroes: Animal (Auto)Biographies in England, 1751-1800" [PDF].
  9. Oliver Goldsmith, The Vicar of Wakefield. Discussion: Wendy Anne Lee, "The Vicar and the Sovereign: Monarchism in Oliver Goldsmith's The Vicar of Wakefield" [PDF].
  10. Charlotte Lennox, The Female Quixote (2). Discussion: Alice Tartari, "Charlotte Lennox's The Female Quixote and the Dangers of Romance-reading" [PDF].
  11. Samuel Johnson, The History of Rasselas, Prince of Abissinia. Discussion: Wendy Laura Belcher, preface and introduction to Abyssinia's Samuel Johnson: Ethiopian Thought in the Making of an English Author [PDF].
  12. John Hawkesworth, Almoran and Hamet.
  13. Frances Brooke, The History of Lady Julia Mandeville. Discussion: Hayley Sherratt, "Critical Essay on the author Frances Brooke and her novel The History of Lady Julia Mandeville" [PDF].
  14. Elizabeth Inchbald, Nature and Art. Discussion: Heather McNeill, "Women Who Act: Performance in Elizabeth Inchbald's Nature and Art and Mary Robinson's The Natural Daughter" [PDF].
  15. Elizabeth Inchbald, A Simple Story. Discussion: Elma Scott, "Elizabeth Inchbald (1753-1821)" [PDF]. Incidentally, around the time Barbauld's anthology was published, Inchbald edited two large anthologies of plays: The British Theatre (1808; 25 vols.) and The Modern Theatre (1811; 10 vols.).
  16. Henry Mackenzie, The Man of Feeling. Discussion: Ildiko Csengei, "'I Will Not Weep': Reading through the Tears of Henry Mackenzie's Man of Feeling" [PDF].
  17. Henry Mackenzie, Julia de Roubigné.
  18. Tobias Smollett, The Expedition of Humphry Clinker (2). Discussion: Leslie Aronson, "Chapter 2: Women's Consumption and the Nation in The Expedition of Humphry Clinker" [PDF].
  19. Richard Graves, The Spiritual Quixote (2).
  20. John Moore, Zeluco (2).
  21. Charlotte Turner Smith, The Old Manor House (2). Discussion of the author: Juliana at The [Blank] Garden, "Charlotte Smith" and Ellen Moody, "Charlotte Smith's Collected Letters: A Story of Wife Abuse as Permitted by Law & Custom."
  22. Frances Burney, Evelina (2). Discussion: Lorna Clark, "Frances Burney and the Marketplace" [PDF].
  23. Frances Burney, Cecilia (2, 3). Discussion: Sophie Coulombeau, "'A Philosophical Gossip': Science and Sociability in Frances Burney's Cecilia" [PDF].
  24. Ann Radcliffe, The Romance of the Forest (2). Discussion: Ellen Ledoux, "Was There Ever a 'Female Gothic'?"
  25. Ann Radcliffe, The Mysteries of Udolpho (2, 3). Discussion: Anna Williams, "Grad School Gothic: The Mysteries of Udolpho and the Academic #MeToo Movement" [PDF].
  26. Robert Bage, Man as He is Not; or, Hermsprong. Discussion: Leslie Wilson, "All for Love? Pride and Prejudice, Hermsprong, and Rational Attachment."
  27. Maria Edgeworth, Belinda (2). Discussion: Emily Hopwood Durney, "Experimenting upon the Feelings: Maria Edgeworth's Empirical Approach to Love in Belinda" [PDF].
  28. Maria Edgeworth, The Modern Griselda. Discussion: Renée Ward, "Giving Voice to Griselda: Radical Reimaginings of a Medieval Tale" [PDF].
Some history and background to Barbauld's collection is given in Michael Gamer's "A Select Collection: Barbauld, Scott, and the Rise of the (Reprinted) Novel" [PDF] and "Oeuvre-Making and Canon-Formation."

Barbauld previously: Weird Tales from the 18th Century.
posted by Wobbuffet (1 comment total) 22 users marked this as a favorite
 
An important early work of literary history, along with Clara Reeves' dialogue-criticism The Progress of Romance (PDF). [Edit] Which, of course, you already linked! Missed that.
posted by thomas j wise at 5:51 PM on March 12, 2022 [1 favorite]


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