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Inside
this site you'll find lots and lots of information, photos, videos and diagrams from NASA's moon landing programme, Project Apollo. There's also lots of material from the Mercury, Gemini, Skylab and Apollo-Soyuz projects. All of the material on this site is from NASA sources. Although most of it is available from various NASA sites, the pages on this site have all been reformatted and arranged to make finding and browsing as easy as possible.
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A music video for Sade's
'Young Lion,' dedicated to her trans son
Izaak. From the TRAĐâƧA compilation (
previously), it's her first new song in six years.
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After spending years probing authorsâ lives for clues to their workâand, far more often, fielding requests from writers who would kill for an ounce of media attentionâI find myself most in awe of those who insist on never explaining themselves. from
What the Internet Age Is Taking Away From Writers [The Atlantic;
ungated]
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A Radical Approach to Flooding in England: Give Land Back to the Sea. The idea was to turn what had been farmland into salt marsh, an ancient ecosystem that soaks up water as the tide comes in and releases it as the sea retreats. The marsh acts as a natural and hugely effective bulwark against flooding, absorbing and slowing tides before they can encroach inland. Even last winter â the wettest anyone in the area could remember â the village at one edge of the peninsula did not flood. Paths through the marsh remained passable.
A steep bank, covered with grass and significantly higher than the old flood wall, now borders the river.
[more inside]
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What this thing is, is an artifact of the sharpening that these apply to the video, where there can become sort of ripples in high-contrast areas. And when you point a camcorder at a TV, there is a lot of high contrast going on. It creates almost terrain-like structures, and if you hold the camera at the right angle, it sort of looks like you're flying through them. It's like a flight simulator, and it's really neat and very weird
[...]
So yeah, just turn on the TV, make sure it's on the right channel and junk, and then just point your camcorder at the TV, and you'll get a magical game.
YouTuber @DeclanDoesCameraThings explains
how to turn a vintage camcorder into a hypnotic makeshift fractal flight simulator. [more inside]
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SpendTheirMoney.com is a simulation game where players spend a wealthy individual's fortune in a virtual marketplace. This content is for entertainment and educational purposes only. The simulation uses fictional representations of wealth associated with public figures. Any resemblance to actual events or persons, living or dead, is purely coincidental.
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Archaeologists discovered a carefully engineered combustion structure, or hearth, used to produce tar from resinous plants such as rockrose [nih] (Cistus genus). Tar served as a critical adhesive, enabling Neanderthals to attach stone tools to wooden handlesâan innovation that predates similar techniques by Homo sapiens by over 20,000 years. [archaeologynews/
sciencedirect]
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How did we come to believe that what was codified in the notion of extra virginity captures the essence of what olive oil is and always was? The underlying assumption is that oil production has a timeless quality, and is based on practices and technology that have stayed constant for centuries, if not millennia, only to be corrupted by new industrial methods between the 19th and 20th century. Itâs another version of the misleading narrative that portrays traditional practices as static, non-creative and destined to be wiped away by modern technological innovation. In Silicon Valleyâs lore, disruption and radical innovation are positive values. In the case of oil, and food more generally, itâs come to be the opposite: innovation corrupts venerable traditions and threatens peopleâs health and identities. But the model of change underlying both narratives is similar. And itâs wrong. from
The flavour of mechanisation [Aeon]
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In the year 2096, spacefaring teenagers Roxette and Trip (possibly playing a VR simulation) stumble upon an SOS signal from an uncharted world inhabited by large-headed, high-strung humanoids (and a supernatural menace played by Tim Curry). Assigned to a space station they rechristen Hacker Command and overseen by the AI S.A.L., they remotely scour this strange new world for accidents, disasters and terrorist attacks, and report them to International Rescue, the organization popularly known as... the
Thunderbirds!? These are seven of the thirteen episodes of Turbocharged Thunderbirds, the bizarre 1994/1995 repackage of the classic 60's puppet (aka SUPERMARIONATION) series Thunderbirds. More info can be found
here and
here.
[more inside]
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Baby Evacuation Aprons. You need to "grab your vest and just stuff as many babies as humanly possible in its giant kangaroo pockets before running out the door." (Hat tip: Scopeofwork.net)
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'I still believe the puzzle of U.S. (non-state) political violence, particularly far-right political violence, is not âwhy is there so much,â but why, given our relative legal leniency towards violent speech, freedom of association for radicals, the widespread availability of firearms, and a long, violent history of rightist street action against racial minorities and leftists, is there still so
little.' In
Will the Streets Run Red?, Dan Trombly examines the tensions between Trumpism and a more traditionally violent fascism.
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How to Write about Africa is a posthumous collection of essays by Binyavanga Wainaina. The satiric
title essay, which went viral in 2005, began as "rambling email to the editor" of Granta, as he recounted in
How to Write About Africa II: The Revenge. After publishing a
celebrated memoir in 2011, he published a "lost chapter" from it in 2014,
I am a homosexual, mum. He was
interviewed about that essay on NPR. He died in 2019. The posthumous collection was reviewed by
Alexis Okeowo in the New Yorker and
Jeremy Harding in the London Review of Books. The latter
discussed Wainaina on the LRB podcast with Thomas Jones, highlighting the piece
Itâs Only a Matter of Acceleration Now, about interviewing Youssou N'Dour. [Many previouslies:
1,
2,
3,
4,
5,
6,
7]
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Satire is just dark comedyâs alibi, a way for critics to render their attraction to the genre compatible with morality and self-respect.
War is a satire on war in the same sense that getting shot is a satire on guns, or being trampled to death by a hippo is a satire on evolution, or junkies are a satire on drugs, or a piss stain is a satire on clean pants. from
Céline's War [The Point;
ungated] [CW: problematic writer]
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âThey did what they were supposed to do. This is why we need them,â said Monica Simpson, executive director of
SisterSong, one of the groups challenging Georgiaâs abortion ban in court. âTo have this abrupt disbandment, my concern is what we are going to lose in the process, in terms of time and data?â [
propublica]
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[Scientific American]
The headline: "Forcing a Smile Using Electrical Stimulation Can Boost Your Mood" Buried in the middle: "The well-known study was challenged, however, in 2016, when a team of researchersâincluding Korbâtried to replicate the findings across 17 labs, each of which conducted a study with more than 100 participants. In contrast to the original study, the researchersâ results did not reveal any significant evidence that supported the facial feedback hypothesis."
[more inside]
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To my mind, this is the ultimate ârealist utopianâ image. If somebody says the word âUtopiaâ to you, you should think of an adult woman smuggling the severed head of her father away from an execution. from
Utopian Realism, a speech by
Bruce Sterling
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Two Americas: Why is American political discourse so radically different than the daily life of Americans? "...that ordinary Republicans and Democrats both think ordinary people in the other camp are more extreme than they actually are.
That delusion is depressing but unsurprising. It gets stranger, however, when you break the numbers down to distinguish between degrees of partisan affiliation and involvement. When the NGO âMore In Commonâ did that, it discovered that partisanship and delusion were highly correlated: The greater the political commitment, the greater the delusion.
And then thereâs this astonishing fact: There was one group whose perceptions were hardly skewed at all, meaning they had a pretty good grasp of the real views of Democrats and Republicans. That group? The âpolitically disengaged.â "
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"When we initially reached out to scores of chefs, recipe writers, historians, and food luminaries for nominations for their most important American recipes of the past 100 yearsâWhich written recipes were the most influential, pivotal, or transformative for American home cooking between 1924 and 2024?âwe expected strong opinions, but we didnât anticipate the philosophical quandaries that adjudicating and assembling them would bring up."
The 25 Most Important Recipes of the Past 100 Years, from Dan Kois and J. Bryan Lowder at Slate.
[more inside]
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In the sixteenth century, new printing technology meant that the works of one author could be bound, identified, and replicated. The idea of an autonomous, original creator became central to our culture. Gone were the collaborative days of monks accreting their manuscripts collectively. A century or more of audio-visual technology has slowly eroded that idea. Ever since radio, we have become increasingly less bound to books, and created a more multifaceted oral culture. Wikipedia is our new monkish collaboration. And this means, as Jarvis says, that what had once been public conversations in print now became radio programmes, talk shows, and Twitter. âConversation became content.â from
The modern discourse novel [The Common Reader]
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Oculi Mundi is a digital heritage destination: the home of The Sunderland Collection of world maps, celestial maps, atlases, globes and books of knowledge.
The project now includes a podcast,
What's your map, which starts with William Dalrymple's exploration of an 18th century Jain cosmological map.
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Enter your date of birth and a guess at your life expectancy, then choose from a list of movies.
Memento Movi then shows a frame from that movie that represents your place in your lifespan. So, for instance, a twenty-year-old who selects Star Wars will likely get a frame from Tattooine, but a sixty-year-old who selects Jaws will be on the boat.
[via
condour75's post as seen on mefi projects]
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